So I decided that I want to do a Family Feud program for conventions, but it’s hard to get full families at a convention, so it’s getting renamed it to a much more common occurrence at conventions.
Of course we can’t play the Feud without surveys and so I have two for you to fill out. Because I have game show friends who are necessarily into anime and vice versa(???) I’ve set up one survey for all comers and the other for anime fans. Try one or both; it’s up to you. If I can get 100 people quickly enough, I’ll send out two more surveys. The goal is to have 20 viable questions for two full matches, so I want to get through as many as possible without overwhelming you.
You’ll also note at the bottom of each survey I ask for your e-mail. This is indeed for S&P purposes, but if you’d like, I’ll let you know when the next surveys are out.
The links are below and I hope to update them when the next surveys go out. Thanks a bunch!
Hello friends. Did I mention that I have major issues with post-con blues? Well you can pair that a propensity to be sick and you’ve basically described the past 6 months or so. I actually feel somewhat fortunate that I wasn’t able to get into Katsucon as a panelist because I would’ve just been a total wreck.
What wasn’t a total wreck were my first three game shows of 2017. Setsucon hosted Name That Tune and Wheel of Fortune while Anime Mini saw the initial foray of Doge! Much Press Very Luck. All three were successful although opinions may differ on the latter.
Next up is Tekko, and it’ll be busy both on and off the floor. Right now the only thing I can confirm is that Saturday morning will see the return of the Most Unusual Mix to the WPTS airwaves as part of the new Alumni Show. The rest is up in the air.
That being said, I can’t wait for yeas or nays, I’ve been busy getting a new friend of the company in Nightengale Needles and undertaking some super big projects that you will be hearing about very soon. Watch this space.
So far I have only done doge Wheel of Fortune in Pennsylvania, and even then, only as far west as State College. Come October, that will hopefully change. Anime USA is going to be the biggest crowd yet for my version of America’s Game. It’s surely going to be exciting, and maybe we’ll have the biggest win yet.
In other news, let’s flash back to a few weeks ago.
Good news for my inner 60’s Spider-Man, AUSA will also be the debut of “I Cast A Forward Pass,” a panel all about how the wide world of sports crashed into board game night. This is literally part of my childhood that we will be talking about, and I am excited to share some of the ridiculousness I have found.
October is shaping up to be a really good month. Won’t you join me for it?
This has not been a good few weeks for me. My Otakon experience was marred by issues out of the convention’s control. While it was awesome that I was able to talk about Satoshi Kon to a group of 200-300 people in the middle of the night, the external stuff brought everything else down. Between car troubles, illness, lack of sleep, and a whole host of other issues, there will have to be a major reassessment of how I do things if I ever plan to go back. It’s a shame, but there’s not much you can do when you have a near-Perfect Storm of issues.
To compound on this, I had to pull out of Saikoukon due to a work conflict. This is the first time I can recall having to do this and it bugs me to no end. To be fair, I am fortunate to have a day-to-day job that gives me enough time out to do so many conventions—I’m still on pace for attending nine shows this year (more than I did in my first three years of going to cons) doing panels in as many as eight of them (as many as I did in my first five years of doing panels) and theoretically, I could’ve gone to 13-14 shows in total had I not gone to Japan—but there are other parts of my job that are dicey (tl;dr my job is secure, my position is not) and make it less desirable. Ideally, MP would be a side source of income while I find a position that pays well enough and is flexible enough to allow me to continue with MP, but that is still a long way from happening.
Luckily, I still have three shows left on the docket, and 2017 is shaping up to be very interesting, so I just need to find a way to get back on the proverbial horse (or is it panther in my case?) and continue to plug away.
Another convention announcement for you: I’ll be in the land of Wawas and Tastykakes once again as I do programming for Saikoucon. Last year it was one of my “If You Like” panels; this time it’ll be “I Can Japan (& So Can You)” which is all about how you can Japan, or at least how to travel there in a reasonable manor. As is custom, I’ll also be helping out Megaroad Toys so I’ll be free to chat if you’re not hitting the water park. 😉
Even though there will still be 4 months left to go, it’s been an odd year, albeit a successful one. This will be the sixth show I am doing programming at (and 7th overall), and while I will have only done 12 hours so far (I have done less than 12 hours once since 2010), I’ve done a lot of different programs. Just take a look.
That’s nine different panels out of eleven that I’ve done (Improv and AFC each ran 90 min.) I guess this is a good year to show the range of topics I can cover, and the final four months of the year may have even more, so stay tuned!
As I’m writing this, the doors for Sunday programming at Anime Expo are just starting to open. I am not with them (for multiple reasons, most of them logistics-related) but it would be certainly fun to get there once. That being said, I have news that is just as important: As spoiled by the countdown clock in the right-hand corner of this site: I am presenting at Otakon. When I first joined fandom around 1998—even when I started going to conventions in 2005—I couldn’t imagine running a panel at something of this magnitude, let alone even attending. For Otakon’s final bow in Baltimore I have been selected to present a panel that I don’t do very often, but it’s about a topic that I love: “Satoshi Kon & The Mystery of Me,” in which I break down the works of my all-time favorite director of media and examine how what he had to say about the culture of Japan and its relation with individuality. It’s a little academic, but it’s a ton of fun to present, so if you’re of age, I hope you will join me.
As is custom, I will be helping out Megaroad Toys when I’m not presenting or being awestruck at 30,000 people in one convention space, so there will be ample time to say hi and comment. Presenting at Otakon has been a culmination of over 10 years of work and dedication. I want to thank everyone who has helped me get to this point, and if you want me to go even further, feel free to spread a good word or two to your local show.